Monday, September 8, 2025

Post 409: Nonprofit Art Group Committees

Nonprofit Art Group Committees

The Backbone to an Art Group 

A nonprofit art group is made up or various committees which help do the work toward that group's mission and goals. Within the membership of the group, volunteers step up to join and add their skill sets and/or interests to a particular committee. This blog post explores various aspects and managing art committees with a leaning toward the Prince William Art Society's committee needs.

Types of Art Committees

Standing Committee - a permanent body of people that are necessary to the art group's duties, policies, goals, responsibilities, and objectives. The persons can be elected or volunteer, but there should be a Chair person for each committee. The standing committee is permanent in the sense of "there will always be this specific committee within our art group". The members of the committee may change over time, but that committee needs to be in place. A standing committee may also be in place for as long as the members of it wish to serve and are not (necessarily) subject to Board member elections.

    Examples: Programming and Scholarship Committees

Ad Hoc Committee - is not permanent, is a temporary team, and serves different purposes. They can solve problems, develop ideas, and/or are brought together to achieve a specific task. Once the task or project is resolved, the committee can be disbanded.

    Examples: Nominating Committee for Board Elections or a Research Committee for a project.

Subcommittees - are a collection of members from a larger committee or board that generally focus on solving a particular task under the parent group, and reports to that parent. They are for a specific purpose and often a period of time.

    Examples: GoWell Stonebridge and the GoWell Warrenton Committees would be a sub from an Events Committee; a Gallery Committee could easily have its own subcommittees

Select or Special Committees - a type of committee appointed as needed with a timeline to complete a specific task, issue or oversight.

    Examples: Research Committee, Gallery Search

The Prince William Art Society (PWAS) Board is working to provide more opportunities for our members to:

  • Exhibit/sell art at local venues.
  • Expand members knowledge of the art business.
  • Procure grants from state, county, and cities.
  • Provide meaningful networking (learn about outside shows, meet artists outside PWAS).
  • Build friendly member relationships to better help one another.
Typical Committees Within an Art Group
New Proposed PWAS Committees
Events Committee* (High Priority)
  • Help with set-up, take-down of shows.
  • Collecting the inventory lists for Pop up shows.
  • Help assign display spaces.
  • Assist with hanging/taking down art from shows.
  • Printing labels.
  • Maintaining artists in Square machine.
Grant Committee* (High Priority)
  • Write concise, compelling applications for funds to be used for venue rentals, training, equipment, etc.
  • Editors, reviewers.
There are a lot of grants for nonprofit art groups "out there" with a lot of money on the table for those art groups, galleries and art organizations to help with all manner of outreach in their communities.
 
Short-Term Planning Committee* (High Priority)
  • Secure venues for exhibits, working with realtors, gallery curators, business owners.
  • Plan exhibits at local venues, organize paperwork.
  • Secure outside jurors.
Long-Term Planning Committee* (High Priority)
  • Help find venues for long term exhibits.
  • Work with County and Arts Council to establish permanent County Arts Building.
  • Apply for large state grants.
Note that planning types of committees are recommended to be from 9-15 members (when possible) to allow for more viewpoints. - 
 
Activities Committee* (High Priority)
  • Help organize classes (venues, instructors).
  • Plan field trips (get quotes for bus).
  • Plan late spring or early summer picnic at county pavilion.
  • Monthly or bi-monthly art challenges.
Other PWAS Committees
Program Committee
At the PWAS meetings every month, the Program Committee arranges a guest speaker, a presentation, show and tell, or other art discussion of interest to the PWAS members and visitors that is in addition to the business meeting.

Scholarship Committee
The Jewell Pratt Burns Scholarship and Committee annually presents an award to 1 or 2 Prince William County graduating high school seniors, that are moving forward with an education and career in the an arts. 

Hospitality Committee

  • Food and Beverage for Meetings – solicit members to provide snacks and beverages.
  • Help organize Art Receptions.
  • Holiday Planning.
  • Summer Picnic.
For ongoing projects and planning, updates and/or changes, the art groups By Laws would need to be updated to include the agreed upon duties and responsibilities for any of the additional committees.
 
Where, when (date and time). Sometimes regular meetings work well but the committee will need to arrange what works best for their needs and upcoming projects.
 
With all that being said, if you belong to an art group, get involved at a committee level. Contact your Member-at-Large (for PWAS this is Tom Payne) and discuss where you can best fit in.
Organize Your Art Committee

Hence, the need to have a more in-depth look at our committees and how we can grow them. Members should review the committees that they would like to become involved in - whether they have experience or not. Obviously, we would hope that a person's background, life and work experiences would lend themselves to the appropriate group but volunteers are certainly welcome to join where their interests lead them too. 

You'll quickly see the relationships and connectivity that should be in place between many of these group of committees. Indeed, often they will need to work hand in hand to strive toward the art groups success.

No one person nor group - nor Board, can do it all. Nor should any member of a group expect that they do.

The Prince William Art Society does not currently have all of the committees listed here (or perhaps need), but these groups are typical of many nonprofit art organizations. Some committees might be bundled or renamed differently, here is an overview:

Executive Committee - PWAS sees the Executive Committee as the elected Board Members, but this can be a subset of the Board members for urgent situations or on demand situations between Board meetings.

Membership Committee - recruiting, engaging and maintaining membership within the art group is an ongoing and very important committee for any art group, society or guild. Ensuring advantageous benefits for joining the group should always be a high priority. Between membership fees, donations and a small percentage taken from art sales, these are typical methods of funding a nonprofit art group and the costs of maintaining the organization's annual expenses.

Finance Committee - the group that tracks the Benjamins of course. All assets and liabilities, the preparation of the annual budget, overseeing any endowments, taxes, investments, and other strategies must be clearly organized. This is another standing committee where at least one person should have major financial experience.

Fundraising and Developmental Committee - for many nonprofit art organizations, fundraising is usually the primary activity (after Memberships). Fundraising can include many types of events like silent auctions, galas, competitive runs and contests, raffles and other creative methods for raising money for the organization. Other opportunities for raising funds is gaining donors (large and small), sponsors, philanthropists, patronages, as well as grants and endowments. Fundraising should be a standing committee and work in conjunction with other committees such as short term and long term planning. When an art organization develops big plans and goals, fundraising must be on the agenda.

Strategic Planning and Outreach Committee - This committee works towards developing, executing, and defining the PWAS as a 3-5 year strategic plan.

Marketing Committee - if no one knows about your art group and your goals or that your nonprofit exists, how can you raise money for it? Marketing should be a standing committee. This group pushes the PWAS mission across all channels.

Public Relations Committee - this is a group where creativity and prior experience can really help. The committee handles all printed materials like flyers, leaflets, whitepapers, brochures, etc. - with a UNIFIED message. This is the public face of the group, making a positive image imperative. The Webmaster of the group's website, social media and Blog Admin typically works with the PR folks.

Social Media Committee - the areas of where the art group posts events and images, announcements, invitations, plus - plus. On Facebook, Twitter - X, Pinterest, Instagram and YouTube - whatever platform the art group uses, posting should be on a steady and consistent schedule. The PWAS Blog, Artistry Spin is a part of this committee.

Gallery Committee - when an art group has an ongoing space to house and/or be a base for the art group, a very active group of people need to handle all aspects of running that gallery. From exhibits, calls for art, events, receptions, volunteering, sales, space rentals, and so much more, the Gallery Committee manages the space that houses the art and artists and the public that will visit. Finding a new Gallery is a main objective of PWAS. (PWAS Gallery Committee disbanded at this time.)

Building and Grounds Committee - this group is involved in upkeep, accessibility and renovation of any art group's physical space. (PWAS has no need of this one at this time.)

Education Committee - Workshops, classes, art education activities, initiatives, and opportunities for their members and/or the community. The committee can include both teachers and students, classes for the public and workshops for the members. 

The art organization can develop any of their committees as needed.

For the Prince William Art Society, the following new committees have been noted to be must haves, high priority groups to help reach their objectives. A committee can be as large as needed and it is often recommended to have an odd numbered group so that when voting on a topic, there is a tie breaker.

Our goals can only be reached through a vehicle of a plan, in which we must fervently believe, and upon which we must vigorously act. There is no other route to success.” —Pablo Picasso

The Activities Committee is sort of an offshoot of the Members Committee and is the "fun" side of things that your membership can enjoy. PWAS feels that building relationships with like minded artists is beneficial to the entire group.

*Designates a New Committee for PWAS

Art Groups are made up of people that love and create art. While there are huge art groups with huge budgets, HR and payrolls, many small art groups must work with their volunteer members to work toward the success of the whole, even with much smaller budgets. While some members have vast experiences and knowledge to help the group and team, many folks have to learn as they go. I hope to help here with tips to help artist members have a bit of understanding on how a committee is expected to flow - no matter the name or type of committee.

1. Purpose. 

Have a crystal clear purpose toward a common objective. Each and every meeting is scheduled so that all goals and objectives can be solved and progress is methodically accomplished. Definitely, time must be used wisely, so by having a clear purpose and understood by all of the team, this helps to achieve the purpose for the meeting.

2. Preparation. 

Having an agenda sets expectations, keeps everyone on the same page, and stay on topic. Create an outline and be sure to prioritize tasks, goals, and ensure no important details are missed. And email out the agenda to your team members in advance of the meeting.

Keeping to the agenda is just as important as preparing for the meeting. Some groups assign time periods per topic, less important or low priority topics might be shelved, or if someone needs more info on a topic, that discussion can go to the parking lot, a phone call or an email. 

Know the By-Laws of your art group. There is no sense in discussion or suggestions that do not coincide with the By-Laws of your art group.

Where and when (date and time) should be upfront and LARGE. Sometimes regular meetings work well (weekly, monthly...) but the committee will need to arrange what works best for their needs and upcoming projects and deadlines.

Smaller committees typically meet in each other's homes but here in Woodbridge, we've had committees that meet at Wegmans - upstairs, or in coffee shops.

3. Updates.

Set a time (15 minutes or so) at the beginning or end of the meeting for your stakeholders updates.

4. Assign Meeting Roles 

Assign, select and/or vote on roles and rules for your committee.

    A. Select your Chair or Lead Person - you could have a co-chair but someone needs to report to the Board. The Chair person also keeps the group on target (in focus) and moving forward (and probably creates the agenda with input from other members). Select a motivated, approachable, team builder as your lead.

    B. A Note Taker is needed, or a Secretary for each committee. A specific person is assigned to take detailed notes - these are the Meeting Minutes and are an official record of your meeting.

    C. A Timekeeper - no one likes going down a rabbit hole and losing track of time. If the meeting is supposed to be an hour and a half or two, then be polite and stick to it (as best you can). Herding kittens is always a challenge and your timekeeper should alert the group that time is slipping away - even more especially if high priority subjects haven't been touched yet.

    D. Dedicated Members - recruited volunteers with a passion for the arts; great skillsets, go-getters, and/or a desire to learn.

These are the basics roles but your group may need other roles as well. Just ensure that the same people are not always stuck doing all the volunteering nor all of the tasks. Hold people accountable.

5. Process. 

    A. A voting process should be in place when decisions must be made. That's when odd numbers of members comes in handy - it is recommended to have between 5-7 members is typical for most committees.

    B. Participation - Invite input and participation from all members of the committee. Define each person's tasks when assigned and if you volunteer to do a thing, DO that thing. Ensure that all of your people voice updates to their tasks, projects, etc. I believe this truly helps to show that the group is a Team.

    C. Progress - No one likes going to a meeting and things go off the rails. Or when no decisions are made and you leave knowing less than when you arrived. As we all know, everyone is busy, so stay focused and on target.

6. Rules of Order.

Know at least the basics of Robert's Rules of Order for Meetings 

This is the common and fair method for organizations and the attendees to have an equal voice in every meeting, so knowing RRO helps a lot.

7. Give Advance and Fair Notice of Meetings and Time Frames

Members should always have adequate time to prepare, attend, and consider issues before every meeting.

Also note that if meetings can be via alternative method options like Zoom, that links and notices are sent well in advance.

8. Detailed Meeting Notes.

Have someone that keeps accurate and thorough notes about the meeting and what was discussed, decided upon, who was assigned a task, what the progress was and what will need to be followed up on.

If someone cannot make the meeting, detailed notes will help keep everyone on the same page and is a reminder to all on the who, what, when, where and whys.

9. Meeting Closure Begins with "What Are the Next Steps?"

Common goals via next steps should move the objectives forward at every meeting.

10. After the Meeting, Share the Notes within the Committee. 

If there are parking lot topics, continue the discussion outside.

Typically your committee's chair person would report the progress at the art group's Board meeting in a more condensed form.

Take away about Committees

Make sure everyone in your committee knows dates and deadlines and honestly, everyone should be taking some notes - especially if you have followup to do. Everyone also needs to understand the art organization's mission and plans for the future - for this is why we are doing what we do.

Getting involved is something PWAS will be urging everyone toward. Sure, you can work as a solo artist all you want to, but getting involved in the workings of your local art group has a ton of rewards in itself.

Let me know what you think in the Comments below. Do you have additional ideas on how to help run a committee meeting or a specific committee?

For Further Reading:

A How-to Guide for Nonprofit Board Committees

This blog post originally appeared on the PWAS Artistry Spin Blog on January 23, 2024

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Author: Sandra McClelland Lewin PWAS Interim President

Author: Donna Liguria  is the Blogmaster for Donna's Cave Paintings and the PWAS Artistry Spin Blog and an artist member of the Prince William Art Society (PWAS) in Woodbridge, VA. Donna specializes in acrylic paintings of landscapes, seascapes, historic locations, animals and many subjects. Visit her Website at DonnaLiguriaArt.com and her Donna's Esty site to shop her art.

 *I LOVE reading your comments on my posts! Just remember that the blog comments are monitored so they may not appear right away.

Do you need a handmade, original painting for yourself or as a gift for a friend or family member? Yes, I do most commissions, so please contact me through this blog, on Facebook, My Website at https://DonnaLiguriaArt.com, or go to Donna Liguria Art on Etsy at https://donnaliguriaart.etsy.com to shop my available Artwork.


Tuesday, September 2, 2025

Post 408: Out to Art at the Mill and 3 Fox Winery

Out to Art at the Mill and 3 Fox Winery 

The biannual Art at the Mill art show and sale are about to begin. The show will start on Saturday, September 20 and run until Sunday, October 5,2025. The art delivery day for Sandra McClelland Lewin and I was Saturday, August 30, 12 noon, so off to 15 Tannery Lane, Milwood, Virginia (also called Boyce, VA) we went with art in the back of the SUV.

Art Delivery to the Mill

The day was gorgeous and when art delivery day is so bright, sunny and just cool enough that a sweater or light jacket is needed, well, that certainly makes delivering art all that much sweeter. Barely a cloud in the sky, here are some photos I took Saturday from the Burwell Morgan Mill, which is a live, working mill by the way. They have a grinding schedule up and sell their flours and grains - which is another great reason to visit the mill. 


After checking in your art at the far right table and getting your art labels, you unwrap your art at the second table. The volunteers get your labels attached to the artwork and other helpers then take the art off to either be placed upon the walls or off to the top floor. 

Art at the Mill juries in about 1000 pieces of artwork and sculpture from about 300 artists. As you can see from the photos, even with stacking the artwork like a puzzle, that is a LOT of art - in all kinds of sizes. So not everything will be up on the walls on the first few days of the show. But online, on about Friday, September 19 - but definitely by Saturday, September 20, ALL of the artwork will be available for sale online. The artwork sold MUST be picked up, they do not ship.

The Online Web Gallery of all the artworks juried in is where you can watch, in nearly real time, what is sold. You can filter the view to find your own works too.

Have a look at what we saw that had already been delivered on Friday and Saturday before we arrived. We saw plenty of "OH WOWs!" And we watched for a few moments as a few of our own pieces were hung. By the way, if you want to see the artwork that the Prince William Art Society members Sandra Lewin, Bettie Sperty, and Mark Clifton, see this blog post on the PWAS Artistry Spin Blog called Art at the Mill Fall Art Show with PWAS


You can see the flight of stairs up to the 4th floor where a lot of art is stored. Once artwork sells, it is immediately taken down and quickly replaced with artwork from upstairs. In the case of art being sold online, the artwork is taken down and stored wrapped up on the main floor, ready for pickup. You can click on any of these photos for a larger image - I do encourage you to do that! Crazy fantastic art to see - and so many creative, sometimes quirky, but awesomely crafted works to see.







Very gradually, I am starting to recognize some of the area artist's work from around the area. Of course, once the show is finalized and the labels are next to each piece, that will help too. Even the arrangement of the art up on the walls now will change over the next couple of weeks. 

As the artists deliver their art, they wander the mill to see what else is up. I spotted one of my 'just-delivered' pieces - "Ben's Chili Bowl" (in Washington DC) 16x20 in acrylic, waiting to go up on the walls.

And just below that photo, I watched as the fellow was hanging my painting called "Art Delivery to the Mill" in acrylic 14x14 next to Sandra's "Owl in Oak Tree" 18x24 in acrylic and metallic Gold Ink.



Here's my painting of "Art Delivery to the Mill" because its what today was! For the Spring Art at the Mill, when we delivered art, I was walking around and sitting outside watching all the artists going into the main floor delivering their art and thought what a nice painting that would make. I take a lot of pictures each time I come to the mill show, but I had to take my reference photo. In the Spring, the trees were just starting to fill in. 

All the artists delivering their art come there with such hope of a great show, hoping their works will be seen and enjoyed, and perhaps purchased. 

The aim is to NOT have to do the art pickup day!


Sandra and I walked down the side of the mill and wondered at the sound of the water rushing down the creek - and how pleasant a sound that would be. What a beautiful view.

The artist reception is on Sunday, September 28 from 2-5pm and we very typically go to that. Its a great time to meet so many other artists from all over Virginia. When we go, the first order of business is to play 'find your art' if it hasn't sold (YET).

We've heard the volunteers say that by the time of the art reception, all the artwork stored upstairs is down and up on the walls by then. The other thing the artists hope for is more beautiful weather during the show, as that brings out the gallery visitors.
We did see Mark Clifton and a friend come in for his art delivery day. This was his first time showing at Art at the Mill.

In theatre, they say "Break a Leg" to wish the actors good luck before a show. Is there an art show saying to wish your fellow artists good fortune for art sales? There should be something...like "May your art fall off the wall" or "Break a canvas". Anyone know of one?

Three Fox Vineyard

The day also included a nice stop at the Three Fox Vineyard & Brewery at 10100 Three Fox Lane, Delaplane, VA - well because, its on the way, AND our fellow artist friend Bettie Sperty has art on display there, AND it was lunch time (great pizza!), AND well, its a WINERY!

We watched at little kids rolled down the hill, as it steadily got busier and busier with folks and their dogs came to enjoy the day.



A good day! There are actually several wineries on the way to Art at the Mill so its a very nice day trip to go out, see some art, stop and have some wine and munchies, so grab a friend and plan a trip out to Milwood!

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Author: Donna Liguria  is the Blogmaster for Donna's Cave Paintings and the PWAS Artistry Spin Blog and an artist member of the Prince William Art Society (PWAS) in Woodbridge, VA. Donna specializes in acrylic paintings of landscapes, seascapes, historic locations, animals and many subjects. Visit her Website at DonnaLiguriaArt.com and her Donna's Esty site to shop her art.

 *I LOVE reading your comments on my posts! Just remember that the blog comments are monitored so they may not appear right away.

Do you need a handmade, original painting for yourself or as a gift for a friend or family member? Yes, I do most commissions, so please contact me through this blog, on Facebook, My Website at https://DonnaLiguriaArt.com, or go to Donna Liguria Art on Etsy at https://donnaliguriaart.etsy.com to shop my available Artwork.


Monday, September 1, 2025

Post 407: The Art of Artist Etiquette

The Art of Artist Etiquette 

There comes a time when an artist must understand the Art of Artist Etiquette while in a gallery, at an art event, or getting their art to or from an event. Artists have a responsibility to be on time and always be professional - to the gallery, art group, art show, and to their fellow artists to know and show good manners. That is what it all comes down to, right?

Art Do's and Art Do Nots, and No, You Di'int

There are do's and do nots for everything, I suppose. As they say, people are people are people...and artists are artists are artists that are people. Occasionally artists are very different people, but that could be another blog post. I look at that as we are all human; people are gonna do what people are gonna do; we all make mistakes - but we can all learn from our mistakes. 

I am going to hash out some of the often nonspoken, Artist Etiquette here (and hopefully in a mildly humorously way) because on occasion, we all forget the unwritten rules, including me. You may not feel like you should have to say some of these, but yeah, you do.

Photo by Annie Spratt on Unsplash 

Check and Recheck Your Art for the Show

Make sure your art is hung the way the show expects it to be hung. The Calls for Art sends or has guidelines, and those are very important. While checking in art at various shows over time, I do believe we've seen it all. 

  • No wire? How are we supposed to hang it? We aren't setting it on the floor.
  • No, it is not up to the show people to wire it for you. Seriously.
  • Didn't create a label or sign your artwork? That's on you, you mysterious artist, you. I wonder who will get the check if it sells?
  • Forgot your inventory list or other expected documents? Oops, get to writing.
  • Didn't finish the edges? I guess someone missed reading the directions. 
  • Be very aware of copyright infringement. <- That's a very serious and important one folks.

Art Pickup and Art Drop Off

When the dates are set for art pickup and drop off, the show will send those dates and times out along with a reminder just prior to them. It is up to the artist to abide by those dates and times, mark their calendars, create an alert or to contact a friend or family member to help them if they cannot do that date or time PRIOR to the schedule. Most venues typically suggest that if the artist has no one else to handle the incoming or outgoing art and to sign in or out that art, to let the volunteers that are handling the event know - or contact one of your fellow artists and make arrangements with them PRIOR to that date.

  • Most galleries and art groups state in their documents that if a time or day do not work for you, to contact them in advance and they would be happy to accomodate you.

When artwork is juried into a show - especially with limited space - the coordinators for that show are EXPECTING your work to be there, possibly even having measured a layout for your art to fit a space. If the venue knows they can only accept X amount of art and yours was selected to show, and you don't show up...you have potentially blocked someone else from being in that show.

If you have a change of mind about showing, let the coordinators know PRIOR to the event. Someone may already have created labels or other expectations in your art's acceptance.

  • Several times, I've been on hanging committees and we started or had the art pretty far along (OR have left for the day) in the hanging process and an artist shows up to drop off art HOURS after the deadline. Not cool. Not acceptable.

Volunteers are often helping to coordinate the art on display and they are doing this FOR the art group, art venue, and each every artist in that show. Even more often, they do not get paid for the time and effort they are putting in. From email announcements, blog posts, website updates, Facebook posts, creating art labels, to using their vehicles to drive to the space, spending HOURS at the space, and on and on - so the expectation is that our fellow artists to have the decency to cooperate with set times and dates - no matter where you are potentially showing your art.

Artists must remember that it is not the gallery or the showing space's responsibility to store your artwork after the show (there may not even be space for it), nor is it the responsibility of the volunteers that are spending their time and effort to handle your art any more than they are already volunteering time to hang or take down your art. We have lives the same as you.

  • Besides, that monster canvas of yours will not fit in my car or in my house!

There is also a consideration of "abandoned art" if art is left for a period of time and not picked up. I've seen this one happen where MONTHS went by without hearing from the artist. The gallery or group can just sell or donate art at a certain point, with no regard of a cut to the artist. The other part of this is your art could potentially be ruined when its abandoned because of someone having to shove the abandoned art in a corner somewhere. And don't expect the venue to wrap it up for you.

It is about respect - for yourself, your work, and your fellow artists.

At an Exhibit, Art Reception or Art Show

  • If you know an art exhibit coming up and one of your fellow artists would be a great fit for it, share the knowledge. 
  • It is not a competition, even if it is a competition. What I mean is that you aren't competing with other artists even though a juror may be judging a specific art show and handing out ribbons or cash prizes. That part is out of your hands really. Just as someone may purchase one painting of the Washington Monument but not the one you did. Your job is to create YOUR art, the best it can be, and presenting it correctly.
  • Think about it, if you are in an echo-y gallery, maybe at an art reception and someone is talking loudly or negatively about a piece of art - or even about YOUR art. Gasp!! Not cool. But you stay cool. And the loud speaker needs to tone it down some notches. This is the place to use your "indoor voice" and be respectful of everyone's art.
  • If it isn't your event, you shouldn't be promoting your stuff.
  • Divas are a pain in everyone's butt. It usually is not all about YOU, especially if you're in a group's art show - or even if it is your solo show. 
  • Know if the gallery allows nudes, political, or controversial" art or not. It might be very well done art, but family friendly isn't expecting their child to see it all hanging out there.
  • It is always a good idea to ASK before taking photos at an event (unless you are the photographer for the event).
  • Make sure access ways are not blocked by you or your fan club, I mean, the people that are talking to you. This is something you see happen at group art shows when multiple artists are showing in a tent, and someone is blocking the aisle to get through. Which means that a fellow artist's work was prevented from being seen. (Insert here, "STAY OUT OF THE TENT!")
  • Sold something, AWESOME! Well, I certainly hope you know that the gallery or show venue is taking their cut first before they send you the check. KNOW what the venue's cut is too! Most of the galleries around Northern Virginia that I have seen take 25% to 35% of the sale, but it CAN be higher. As they say, know before you go and I hope you priced it accordingly. Also, understand the time frame of when checks are sent out as it is usually in writing somewhere.
  • I've had and seen this happen: I'm speaking to someone that is asking ME about my art, and another artist nearby hears a keyword and butts in and says, "I've got some artwork with that!" And leads my potential client/fan away to show that piece. Grrrrr.....I did consider biting the artist's ankle.
  • Learn, grow, get a book, take a class - never stop learning, especially when it comes to art basics and fundamentals. Correct Proportions in art work is a pet peeve...unless its done intentionally.
  • Keep your pricing consistent offline and online.
  • There is no space for negativity or self-doubt about your own art. Don't talk your own artwork down. Be proud, be bold.
  • If you say you are going to do something, DO IT.
  • If you join an art group, actually BE a part of the art group. Join a committee. Be active. You'll be in the KNOW and be able to help others when they have questions. The rewards are worth it.
  • Dress appropriately for the venue and occasion.
  • Do be professional, that is paramount.
Do you have other ideas for the Art of Artist Etiquette or stories to add? Drop a comment below. 

For further reading:

Art Need to Know Etiquette Posts

Email Etiquette and Organizing - There are definitely do's and don'ts when it comes to email! Everyone needs to learn the proper use of emails.

Artist Etiquette - Art show do's and don'ts, pickup and drop off and more.

Not Necessarily Art Notes, but... - Art Etiquette for emails, art shows, volunteering and more.

Lessons Learned at an Outdoor Art Show Exhibit - Some great advice and what was learned while at an art show. A good read for BEFORE you go to a show.

This blog post was first published on the PWAS Artistry Spin blog on January 31, 2024
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*Thank you for visiting! I would appreciate if you Share, Comment, a please Follow My Blog! *I LOVE reading your comments on my posts! Just remember that the blog comments are monitored so they may not appear right away.

Let me know if you like my paintings and if you need a handmade, original painting for yourself or as a gift for a friend or family member. If you want to commission me to do a painting for you, please contact me through this blog, on Facebook, My Website at https://DonnaLiguriaArt.com, or go to Donna Liguria Art on Etsy at https://donnaliguriaart.etsy.com to shop my available Artwork.


Friday, August 29, 2025

Post 406: Blood Orange

Painting Name: Blood Orange

Every once in a while an artist has to go and do something not in their usual style or type of artwork. Perhaps to just try it out and explore an idea in their heads, perhaps to try to enter into a challenging art show they may not necessarily apply to.

SKU: 08W25ACG
Medium: Acrylic
Size: 10x10x1.5 Gallery Wrapped Stretched Canvas
Edition Year: 2025

What Brought About this Painting?

I am NOT a fan of haunted, horror, scary, halloween themes and movies. Nope. Not a fan of spiders, creepy creatures, ghosts or goblins. The Walking Dead, The Thing, anything with witches, jump out and grab you movies, I avoid like the plague. Yet, I'm hoping to enter an upcoming art show with perhaps, some "slightly" darker themes. Here is one of the artworks I hope to enter with a few of the painting as it progresses...




This is not the final of the painting, but its close...Let's see if I can get this in the show. Wish me luck!
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Author: Donna Liguria  is the Blogmaster for Donna's Cave Paintings and the PWAS Artistry Spin Blog and an artist member of the Prince William Art Society (PWAS) in Woodbridge, VA. Donna specializes in acrylic paintings of landscapes, seascapes, historic locations, animals and many subjects. Visit her Website at DonnaLiguriaArt.com and her Donna's Esty site to shop her art.

 *I LOVE reading your comments on my posts! Just remember that the blog comments are monitored so they may not appear right away.

Do you need a handmade, original painting for yourself or as a gift for a friend or family member? Yes, I do most commissions, so please contact me through this blog, on Facebook, My Website at https://DonnaLiguriaArt.com, or go to Donna Liguria Art on Etsy at https://donnaliguriaart.etsy.com to shop my available Artwork.


Monday, August 25, 2025

Post 405: Artwork Rejection

Artwork Rejection 

Updated: August 16, 2025. 

You've done the work. You created your artwork and submitted it to a juried art show or gallery in the hope of showing off your artwork to the masses. You may even have submitted a fee to enter the show. Now, the wait begins to see if you get the thumbs up or the thumb down.

Out of Your Control vs In Your Control

(Warning: Please note that I'm not going to sugarcoat this article.)

And then the notice comes in that your artwork was NOT accepted.

There are some things within the artist's control when submitting artwork to a gallery for selection, but probably much more frustrating is that there are more things that ARE NOT within the artist's control. And even more confusing and/or frustrating, the reasons for rejection that are out of your control, you may never ever know about.

Some art shows have one juror, some have several jurors at the same time when the volume is huge for a show. Some art spaces have a jury committee - a group of people that decide what will be included in the show. But what they should all have in common is  that they all want the best display of artwork for their upcoming show, period.

When the Prince William Art Society (PWAS) was at the Open Space Arts (OSA) at Stonebridge (now defunct) , we used a "Jury Committee" which is a group of artists with a variety of art backgrounds that review all art submissions. While we cannot speak for every juried art show in the world, there are common features that are taken into consideration when populating a gallery for specific art shows.

Here are some things that the gallery has total control over:

1. Quality Images to Jury. The gallery, actually the jury person(s) have control over what was submitted to them. If the image of the art - the photo that you took of your art looks terrible, the jury or juror can easily drop the submission. The artwork may look fantastic in person, but what the juror saw was not good.

2. Art Venue Space. How large the gallery space is vs. the number of pieces submitted, also vs the size of the pieces submitted. Say a gallery has room for 100 large pieces and they receive 350 pieces of large art to jury. Do the math, that's a lot of rejected art.

3. Art Show Theme. IF the gallery is looking for a theme and the artwork submitted doesn't fit that theme, it has to be cut. Although the occasional gallery may not have or want to necessarily stick to a theme for each art show, occasionally the title of the show does dictate a "theme". It's all about the artist fully reading the call for art.

Say the show was "Summer Spotlight on Art" and artists submit art that has snow, ice, fall colors and the like. Although the art might be scrumptious, the time of year along with 'what might sell best at this show' would mean that these pieces may do better if submitted for a fall or winter seasonal show. Again, look at Number 2, something has to go.

If a theme is stated, your artwork submitted should obviously fit that theme. If no theme is stated, run with whatever YOU DO BEST. If the art show is called something like Best of the Region, obviously they want the absolute best artwork representing the artists from around that area.

4. Best of the Best vs Diversity. I can speak for PWAS and the shows we have juried on this topic, we always strive for the BEST of the art submitted. We want the highest quality of art from Prince William County artists for every show we have juried. That takes precedence. We realize that some artists only do abstracts, some only do large works, some artists do photography, and others do realism. We compare an artist's submissions against other pieces that same artist submitted (often taking the best out of that artist's entries) as well as the entire shows submissions.

There are galleries that are all about featuring every style of visual art known to man, perhaps to appeal to the diversity of potential gallery visitors. And in essence, there is nothing wrong with that. Again, gallery space over the number of pieces submitted means cutting out some great art.

5. Being Fair. Although I was on the Jury Committee for that previous gallery back then, I do like to think we were being fair in our selections. We voted on pieces and we did try to be inclusive. We each have our own opinions about what we like and do not like in art and this is true for any jurist or jury committee at any gallery. I believe that a committee vote works better than a single person selecting work for a show. Our committee members are objective in their decisions, seeking the quality of the artwork submitted as our priority. A single jurist may or may not be as objective - I've seen it at some galleries as you probably have.

Consider this, what if the juror dislikes the color pink and your artwork is all about flavors of magenta. Oh dear artist of the pink painted perusal of pandas, your art may be at risk on the proverbial cutting room floor....I've heard some of our artists that like to research the potential juror to know in advance their likes and dislikes.

6. A Single Juror Made the Decision. I'm sure all of us have entered shows, paid the fee, and done the wait game. We must remember that we are totally at the personal preferences of whomever the juror is. I've been to art shows where I've wondered why certain pieces were juried in and I've also looked at artworks and thought, "when I grow up, I want to paint like that."  But that is MY view of that artwork, it wasn't the person that made the decision for that show.

7. The Art Submissions Were THAT Good. Perhaps all of the art submitted was so outstanding, the absolute best artwork from so many artists that a whole new bar was hit. Things start getting technical at that point. The art venue may even consider, "will this sell?" (and will it sell at THAT price??). 

I do think that sometimes we get so used to getting in this show or that show, so that when we do hit that WALL "you're artwork was not accepted", it decks us. We might get angry, or hurt. But there really is sometimes, just nothing we can do but put up your dukes, and get back to painting again.

A Rejected Art Piece

I'm going to show you an example of one of the oddities in art jurying. This is a photograph of a piece I painted and had submitted to the OSA Hispanic Heritage Art Celebration show that is was open from September 21 to October 16, 2022. This piece was rejected from the Call for Art.

Pinata by Donna Liguria, 2022 Acrylic on Canvas

Now, why I am showing you this, is that on Saturday, September 24, at the Occoquan Arts and Crafts Show, the Prince William Art Society (PWAS) had a tent up with 9 artist members displaying a diverse tent of talent. This painting was the first piece that sold in the first hour of the show. Funny but true and others have similar stories. 

And another artist that I know, she has an art piece that I've seen accepted to various shows, and I believe it has previously won a people's choice award - it always gets rave reviews. Then I saw it NOT accepted to a juried show. It truly is what it is when it comes to art.

Art Crafts vs Fine Art

I do think that an understanding should be made here about the difference between fine art and craft art. See this article Difference Between Craft and Fine Art

At PWAS shows - certainly the juried shows, we have turned away craft art. It is also worth remembering that the Gallery Committee, made up of Prince William Art Society members, needs to also work under the guidelines of our gallery sponsors - meaning that the artwork on display must be FINE ART of the best quality.

What is in the Artist's Control?

1. Follow the Rules, the Directions, the Process. Proofread your submission BEFORE you submit it. You know the saying, "Dot your 'i's and cross your 't's"? When a gallery has A LOT of artists submitting hundreds of pieces of art, what is really unfortunate is when an artist DID NOT FOLLOW DIRECTIONS. Print out the directions so that it is easier for you to follow the checklist of things to do! Highlight the important dates and info.

I've seen so many artists, both newbies and well established artists NOT read the requirements! At the 2025 Best of the Region art show we sponsored at the ARTfactory, we had to reject so many artists because they submitted artwork so much smaller than what we were asking for!

The Call for Art has the directions on it and if you don't take the time to read it, well that's on your head.

...I could stop this list at this point because that is simply where most mistakes happen...but...

With everything on the internet, on YouTube, on this blog or elsewhere, a simple search and doing your homework will help you understand the art business world and its expectations. It is a business and an artist wants to sell art as much as the gallery does. If a gallery has requirements, it is UP TO YOU TO MEET THOSE REQUIREMENTS. Otherwise, maybe a juried art show might not be what you should do if you can't take rejection.

If I come across as harsh on this, I'm not going to apologize. I've had artwork rejected too. It happens and it probably has to you too. Nonetheless, here are some areas where mistakes can and do happen when submitting art to galleries to be juried:

2. Bad Photos. A bad photo will make great artwork look bad.

To be blunt - your artwork may look great in person, but the image of it that the jury sees - well, sucks. Actually this happens a lot and the artist does have control over taking the photo of it. Do NOT include background in your art photos. Take a GREAT picture and CROP out the background. And quite frankly, because of techie things, the image may not translate well from image to projected when the jury is doing their thing. 

3. Missing Information. When space is limited on the art venue's walls, not following the directions or not filling in the applicable info is too easy a way for a juror to cut that artwork.

4. Unfinished Artwork. (This covers a lot of territory from under-drawing showing to unfinished edges.)

5. Badly Framed or Matted and Framed Artwork, or unprofessionally packaged art prints.

6. Improperly Wired Artwork. (We have received artwork with no way to hang it, whatsoever. AND it is NOT up to the gallery to fix any wiring issue your artwork may have.)

7. Not Original Artwork. (Unless you are Walt Disney, don't submit Mickey Mouse art.)

8. Incomplete, unprofessional artist bio, especially if requested. Some galleries request an "about the art" or inspiration statement of some sort. Juice that baby up!

9. Submitting Only One Entry. Being able to submit the total limit of submissions, can increase your chances that something will get in. Limiting to only one entry could be a sort of an alert that you may be a beginner and you may be overlooked for a more aggressive entrant or perceived as larger body of work artist.

10. Failure in Not Submitting Your Images in the Requested Format. Also note, if asked to ATTACH the image is different than EMBEDDING the artwork in the email. Often, although perhaps unknown to you, there are good reasons for specific requests. When dealing with hundreds (or more) pieces of art, each gallery has their own methods of doing things, so proper labeling helps to clearly identify the files.

11. Failure to Submit Art on Time, to deliver art on time or failure to respond to an email for more information on time.

12. Failure to Not Submit Your Best Artwork.

13. Poorly Constructed compositions, proportions, technical flaws. This is also known as not executed well. (We have seen artwork where the subject matter is quite good, but the piece's background is not. Or the human's hands are out of proportion to the rest of the portrait.) Or seeing the original sketch work showing through the artwork...

14. The Uniqueness of Your Art. How does your artwork stand out, what makes it so far superior to another landscape or similar subject matter?

15. Submitting the Same Pieces over and over again. (The expectation is that you are growing as an artist and have much more artwork to show.) We've seen previously submitted artwork get recognized as being previously submitted!

Your attitude in taking rejection is under your control. You can take it as a learning experience or you can always say, "They hate my art. My art is no good. I hate this gallery." And throw your paint brushes across the room (and make a mess). OR you could simply ask where you could improve from a knowledgeable source that has the time to answer your request.

More Reading on the Art Jury Process

I have written blog posts on this subject before, both on the Prince William Art Society website and on this blog, which you could use the search feature for (look to the top right --->) but I have highlighted a few links here that you may find helpful:

And finally, I am going to add though, an artwork rejection is NEVER a rejection of the artist. Every single person, every artist is appreciated and valued. We all must start somewhere in our art journey. You should ALWAYS, always, keep trying to improve, learn from your mistakes, and enter those art spaces that will work best for your body of work and where you are on your journey.
 
At the Prince William Art Society, we have considered a "workshop" or a meeting presentation to discuss why a piece got rejected where the artist might bring in a piece and have someone discuss possible factors. Keep an eye out for that if we are able to get it on the schedule.

Your blog comments are always welcome. See the small No Comments (or Comments) link below this post to add yours. Remember though, comments are monitored...

Update July 8, 2023: Recently, 2 PWAS friends and I paid for and entered a local Call for Art and NONE of us got any artwork in. And if I say so myself, those 2 are even better artists than I am! I've never seen anything of theirs that are not great pieces of art. Nonetheless, in reading the REJECTION letter that was sent out, the discussion was how the one juror had such a hard time selecting out of the 255 entries that she whittled down to 55 to show. So you see, we ALL can get rejected at some point.

Update May 12, 2025: In a recent show, it was A M A Z I N G how many artists just did not read the dimensions. The gallery space requested that all the artwork for the show be a specific size range. It was unreal how many artists submitted very small artwork well under the minimum requested size. And the juror had to whittle down 177 artwork submissions to about 60 or so. Again, there is just no way to get everyone in the show.

Like my content? Follow my Blog in the top right navigation!
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Author: Donna Liguria  is the Blogmaster for Donna's Cave Paintings and the PWAS Artistry Spin Blog and an artist member of the Prince William Art Society (PWAS) in Woodbridge, VA. Donna specializes in acrylic paintings of landscapes, seascapes, historic locations, animals and many subjects. Visit her Website at DonnaLiguriaArt.com and her Donna's Esty site to shop her art.

 *I LOVE reading your comments on my posts! Just remember that the blog comments are monitored so they may not appear right away.

Do you need a handmade, original painting for yourself or as a gift for a friend or family member? Yes, I do most commissions, so please contact me through this blog, on Facebook, My Website at https://DonnaLiguriaArt.com, or go to Donna Liguria Art on Etsy at https://donnaliguriaart.etsy.com to shop my available Artwork.


Tuesday, August 19, 2025

Post 404: Top of the Morning to You

Painting Name: Top of the Morning to You

I'm very much enjoying this summer's morning glories in my backyard. I hope my neighbor is too because they have definitely gone over the fence to say hello to them too. I love the colors, they are fun to paint and capture on canvas so that they can be enjoyed all year!


SKU: 08V25ACG
Medium: Acrylic
Size: 12x24x1.5 Gallery Wrapped Stretched Canvas
Edition Year: 2025
Framed?: No

Check Availability and Prints on my Etsy Shop

What Brought About this Painting?

A painting by Donna Liguria of morning glories growing and twinning up a fence. The flowers are in various colors of pink, white, lilac, purple, magenta, and blue.

The painting isn't quite done yet but he's getting pretty close. I have several artworks in my studio at the moment in Tweak-mode. So I should be having a glorious varnishing day soon. Are you a fan of morning glories too? What flowers do you like?
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Author: Donna Liguria  is the Blogmaster for Donna's Cave Paintings and the PWAS Artistry Spin Blog and an artist member of the Prince William Art Society (PWAS) in Woodbridge, VA. Donna specializes in acrylic paintings of landscapes, seascapes, historic locations, animals and many subjects. Visit her Website at DonnaLiguriaArt.com and her Donna's Esty site to shop her art.

 *I LOVE reading your comments on my posts! Just remember that the blog comments are monitored so they may not appear right away. Follow my blog too!

Do you need a handmade, original painting for yourself or as a gift for a friend or family member? Yes, I do most commissions, so please contact me through this blog, on Facebook, My Website at https://DonnaLiguriaArt.com, or go to Donna Liguria Art on Etsy at https://donnaliguriaart.etsy.com to shop my available Artwork.


Post 403: Art Reception at Falls Church Art Aug 16, 2025

Art Reception at Falls Church Art Aug 16, 2025 

Saturday, August 16, 2025. The "Layers" Art Show at the Falls Church Arts Gallery at 700-B West Broad Street, Falls Church, VA opened with the artist reception and about 67 artists and artworks. The show runs from August 16 to September 28, 2025 and includes all media and is described as 'works that contain multiple layers'. The Juror was Tricia Ratliff.

Art Reception 

Sandra McClelland Lewin and I had both entered artworks that were selected to show, so off to the reception we went.

The Falls Church Art Gallery reception was well attended and we saw several of our art friends and/or their artwork. It's always fun interacting with our fellow artists, and we voted for our favorite work too. We'll see how that turns out.

See the gallery online at Fall Church Arts and check out the pictures below.



The Juror's Choice Award was given to "Mourning" by Jenny Newberry and is the extreme left in this photograph above.
Juror Tricia Ratliff (in red)




Art by Donna Liguria

My painting called "Stormy Seas" which is 16x40x1.5 on gallery wrapped canvas.

Art by Sandra McClelland Lewin

Sandra's painting "Egret in Flight" was mentioned by the juror for consideration as one of the show's juror favorites.

So many art shows to enter! The calls for art are coming in hot and heavy, so back to the easel I go, apply, apply, apply!
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Author: Donna Liguria  is the Blogmaster for Donna's Cave Paintings and the PWAS Artistry Spin Blog and an artist member of the Prince William Art Society (PWAS) in Woodbridge, VA. Donna specializes in acrylic paintings of landscapes, seascapes, historic locations, animals and many subjects. Visit her Website at DonnaLiguriaArt.com and her Donna's Esty site to shop her art.

Photography by Donna Liguria and Sandra Lewin took the one of me.

 *I LOVE reading your comments on my posts! Just remember that the blog comments are monitored so they may not appear right away. Follow and share my blog too!

Do you need a handmade, original painting for yourself or as a gift for a friend or family member? Yes, I do most commissions, so please contact me through this blog, on Facebook, My Website at https://DonnaLiguriaArt.com, or go to Donna Liguria Art on Etsy at https://donnaliguriaart.etsy.com to shop my available Artwork.