Saturday, July 11, 2026

Post 454: Selling Your Art Part 1 - In Person

Selling Your Art Part 1 - In Person 

How to sell your art online or in person is what nearly all artists ask about at some point. There are artists that want to make a living or to earn extra money. And some artists that are of the attitude "if it sells, it sells". And there are artists that perhaps are more private about their artworks - holding on to their works and barely showing what they do. Let's lean more in the direction with this post of putting what you create out on a shingle.

This is a three-part series on Selling Your Art, so watch for Parts 2 and 3. Please follow this blog so you don't miss any art tips! 

Prince William Art Society at Arts Alive 2021, Hylton Performing Arts Center, Manassas, Virginia - Photo by Donna Liguria 

Where and How to Sell Your Art

Doesn't it all begin with research and discovering what may work for you, your budget, your goals, and how much work you may want to put into your art career? We could probably also include the title "How to Sell More Art" as there may be ideas that haven't been implemented in our repertoire too.

  • You can sell in person. 
  • You can sell in a gallery.
  • You can sell online.
OK, but that's just the beginning of the research you need to do. And tell you what, you are not going to walk up to any gallery space, artwork in hand, and thinking your art is going up right then and there. (You name it, we've seen it.)
  • You will need to have the art inventory to substantiate what and where you can have your art hung.
  • You will need great quality photographs of all your artworks - to show your body of work and to submit art to shows.
  • You need to have your art reasonably priced (for the level of career you are at) so that it can sell.
  • You will need to have shipping materials on hand if you are going nationally or internationally with your sales - to get it to them. 

If you are just getting off the ground, you have a lot to learn, but the point is - begin. 

Selling Art in Person

Artists can sell as an individual artist on their own and/or they might sell their artwork being a member of an art group. And no one says to only join one art group.

  • Art can sell at craft and art fairs, festivals, vendor shows, farmers' markets, exhibitions, fundraisers for churches or community fairs. 
  • Art may sell via an open studio - hosting your own art event.
  • Artists might partner with an interior designer, a hotel, a hospital to show art. 
  • Sell art at a gallery, an artist-run gallery (Co-Op), non-profit gallery/exhibition space. See Art Shows, Art Galleries - Showing Your Art.  
  • Some libraries, wineries, restaurants, coffee shops, gift shops, area businesses allow for local art to hang for a period of time. Be aware of spaces where your art is more free decor for them than promotion for you.
  • Sign up to volunteer to help at the art space as a docent, artist-on-duty. Actually, THIS is one great way to sell to the art show or gallery visitors.  Well, let's say, 'sell without pushing the sale'. Once you identify yourself as one of the artists showing, they always ask "where is your art?"
  • Enter Calls for Art, Calls for Artists. See Call for Art
  • Engage in local community business meetings, local community groups for opportunities. Networking with other people/artists around you has potential for collaboration or brilliant ideas!
  • Cold Callings - Email Targets - Find who your direct contact person is for your proposed art show. Find ways to get people excited about your upcoming projects and present them with ideas - to benefit them as well as you.

There are options and decisions to make for selling your artwork, but many of your best options will not be free. There are entry fees to enter art shows, join art festivals or fairs, and commission fees when artwork does sell, as an individual artist or as part of an art group. 

Art Festival Fees - vendor booth space can vary greatly for the typical 10x10 foot space. 

  • Local small fairs can be $0 - $100 for a spot (a table) or space
  • Community Shows $25 - $300 for a weekend space
  • Mid-Range Art Events can run $2,000 - $8,000
  • Major City Art Fairs $10,000 and UP 

Art Call Entry Fees to submit artwork can be $10 -$20 per piece, or $25 - $50 for 3-5 artworks. Every show is different and it is imperative to follow each show's requirement directions or themes.

Research the internet for "Calls for Art near me". Search for and follow various Facebook art groups, galleries, etc to find the local art events in your area and get on their email notifications.

Bookmark sites like: 

Art Groups charge a fee to join, even if they are non-profit art groups. Prices vary and some may allow you to check them out in person at their meetings before you commit to joining. See about Art Groups

Art groups go by various names and the most typical keywords to look for are:

  • art society 
  • art league 
  • artists alliance
  • art club
  • art group
  • art guild
  • arts council
  • photo club
  • art network
  • art association
  • women artists
  • watercolorists 

Commission Fees are often 30-35% but can range up to 60% at an exclusive gallery. Commissions are charged when your art sells and is deducted from the price of your art before you get the remaining amount. So if your art is $1000 and the exhibit charges 35% commission, your check for the artwork sold is $650.

As you can see, the price you charge for your artwork, is greatly effected by not only the cost of creating your art, but where and how you are selling it. See Art Pricing.

There must be a side note here: Submitting art to an art show does not always mean that you are accepted and granted the opportunity to show, whether you paid a fee or not. Read about Art Show Judge and Jury here. And I must include the link to Artwork Rejection.

For individual artists entering art fairs and displaying their art, that artist will need to have the right equipment for the particular event to show your art and to make sales. See How to Art Show.

  • Tent, display walls, tables, a chair. 
  • Point of Sale system (POS)  

A person can do plenty on their own to sell their artwork, but I would recommend researching your local art groups or organizations near you and find an active and lively group of artists you like, then join and become a participating member. Joining an art group gives you opportunities that as an individual you might not have had. Your participation could allow your entry to a gallery or show, or give a less expensive entry point to be a part of the art event, as well as access to the necessary art equipment. That doesn't include the potential learning experience offered by your fellow artists in the group. 

The main thing is to show your artwork so that it will sell, and that starts with: 

Step 1: Build your art inventory. You will need a body of work to show (online and offline). This is on top of any art development artworks created while developing your style.

Step 2: Build a web presence. This can include an artist website (a shop window), your social media, an art group showcase or art gallery listing on the art group's website.

Step 3: Plan how you will have people find and know about your Step 1 and 2. This is marketing and promoting. Sharing your work, defining your target audience, having realistic goals, building a strong online presence, exploring platforms - are all a part of the puzzle pieces. 

Step 4: Jump in - after you've learned more about what you are specifically jumping into. 

Selling Art Prints

Selling prints of your original artworks is often the bread and butter in art sales. Don't overlook this selling point! Not everyone can afford a $500 or a $1000 artwork, so a $25-$50 art print of your artwork still gives the Buyer a way to support you. See Prints and Framing

What's Your Story?  

An engaging story about your artwork is interesting to the people that you want to sell to. They want to know why you created it, the story behind the canvas. What was your art process, what are your values, what were you feeling, thinking, and more. Potential clients want to get to know you and you'll need to build their trust so that they will want to buy from you.

And the story is a major part of the content, the keywords to help you be found on the internet. Artwork title, size, medium, framed or not, price, are all well and good but it is not enough. Build your art story and post it. And be ready to tell it.

From Prince William Art Society Member Zee Berrios on Selling Art

Advice to help sell art work

  • There are many ways to price artwork. The one I use is hours invested X amount of price per hour + materials.
  • For most of us, painting is a pleasure, a therapy, a healing process, a way to relax, a hobby, something we like (or love) to do... it is not a burden, it is not a "got to do", but rather a "get to do". For others it is a need, a way to survive, (they might want or have to do). This also may affect the way you price your work.
  • Some people even price their work by size, (height X length). And, even some suggest to sell for how much would it take to divorce yourself from the piece you have just created.
  • Only in one exception did I sell something for "How much would it take to divorce me from a piece." (It is a piece I would actually like to buy back).
  • Photographing your art and publicity lets the world know it is available. Getting into as many shows possible is a must, but it requires to loose profit or add the commission payment to the exhibit venue.
  • When working on commissioned art, ask for half of what you think the final cost of the art piece will be. (many of us have been burned by not doing this). If the buyer bails, out you won't loose your investment.
  • Keep the unsold work packed and ready to deliver if there is interest in buying the piece afterwards.

Zee Berrios 

Things I see artist do that I would advise they should not do

  • The number 1, for me, would be .. don't frame your work if it is work on canvas. Many times, the buyer will throw away the frame because it doesn't match their furniture or decor. Your investment is lost.
  • The second would be to commit to a commissioned painting without getting a 50% down payment of your estimated cost.

For Further Important Reading:

Volunteering - about art groups, volunteering and gallery worker training

Display - learn how artwork is expected to be prepared for hanging

Art Inventory and Tips - keep track of your art inventory

Did you like this post? Learn something new? What tips do you have to share on selling your art? Drop a comment below. 

Follow this blog and watch for Part 2 of Selling Your Art Online on Monday, January 19, 2026.

Like my content? Follow my Blog in the top right navigation!


_________________________

Author: Donna Liguria  is the Blogmaster for Donna's Cave Paintings and an artist member of the Prince William Art Society (PWAS) in Woodbridge, VA. Donna specializes in acrylic paintings of landscapes, seascapes, historic locations, animals and many subjects. Visit her Website at DonnaLiguriaArt.com and her Donna's Esty site to shop her art.

 *I LOVE reading your comments on my posts! Just remember that the blog comments are monitored so they may not appear right away.


Friday, July 10, 2026

Post 453: Don't Underprice Your Artwork

Don't Underprice Your Artwork 

Probably the most common subject that artists struggle with is putting a price on their artwork. I've recently walked through galleries and seen excellent artwork, of a good size, even painted in oil, that is priced way too low. My artist friend Zee shared this story about underpricing art with me and we wanted to share it with you.

Zee Berrios Tells His Art Pricing Story

By Zee Berrios

When I was taking Fine Arts at the University, I had the opportunity, with another three students, to show with one of our professors,  Luis Hernandez Cruz, (https://luishernandezcruz.com/). 

I was the only one that did not sell a single piece in that show. I asked my professor what was wrong with my art. He told me I was "underpricing" myself. He said that the serious art collectors like to brag about how much they paid for a piece. He mentioned that for most people "art is a want" and not a need (there are exceptions, but that is another story).


For the next show with another professor (Félix Bonilla, who actually was my mentor, Félix Bonilla Norat | Museo de Arte de Puerto Rico), I sold all of my pieces. They were the same pieces as in the last show, plus one more. I priced them three times higher than before.


The moral of the story... don't underprice yourself. Let your buyers know they are buying something of value and not a cheap item.


How much is your hour worth? Multiply that times the number of hours you invested in the piece from its "sketch" stage to its completion (varnish and hanging mount), plus the materials invested and you will have a just and logical price.


Some price art multiplying the price of every inch times the number of inches of the entire piece plus materials. Others price art with the self question: "How much will it cost to get me divorced from this piece"? and those who are famous and fully experienced can almost price their work at any price, based on the years in the trade and the popularity of their work.


Whatever the method you use to price your work... don't underprice it.

Conclusion on Art Pricing

There are people that make incredible art as a hobby and may not be worried about selling their work at all and may potentially set the sales price very low.

There are people that make art as a career and want to sell their artwork which would support their living, yet their prices are below their potential. Recently at an art show I attended, I was surprised to see very good artworks, done in oil, AND framed and of a good size, priced around $150 or so. Way underpriced, surprisingly. Even for where it was hanging.

Wouldn't you rather get more than pocket change for your work?

Wouldn't you like to reinvest what you make so you can keep making more artwork?

Wouldn't you rather get what your artwork is worth than to underprice it?

See also:
Artists Pricing Their Artwork Fairly
Pricing Your Art - Be Realistic

A big thank you to Zee for sharing his story here. Drop a comment below if this rings a bell for you.

@2026 Donna Liguria. All rights reserved. Unauthorized use or reproduction is prohibited without permission

Like my content? Follow my Blog in the top right navigation!_____________

Author: Zee Berrios is an artist member of PWAS and friend.

Author: Donna Liguria  is the Blogmaster for Donna's Cave Paintings and an artist member of the Prince William Art Society (PWAS) in Woodbridge, VA. Donna specializes in acrylic paintings of landscapes, seascapes, historic locations, animals and many subjects. Visit her Website at DonnaLiguriaArt.com and her Donna's Esty site to shop her art.

 *I LOVE reading your comments on my posts! Just remember that the blog comments are monitored so they may not appear right away.


Wednesday, July 1, 2026

Post 452: Nostalgia Art Show at the ARTfactory July 10 - August 9, 2026

Nostalgia Art Show at the ARTfactory July 10 - August 9, 2026 

Coming up in July is the Nostalgia Art Show from the Prince William Art Society showing at the ARTfactory in Manassas, Virginia. Twenty-five PWAS artists, including 2 of my pieces will be showing and this promises to be a wonderful show exploring your memories of those nostalgic, whimsical people, places, things, sights and sounds of days gone by.

ARTfactory "Nostalgia" Art Show

The ARTfactory at 9419 Battle Street, Manassas, VA is a wonderful place to show your art! This Nostalgia show should be wonderful, so mark your calendar - the show opens July 10 with the art reception with many of the artists attending on Saturday, July 11 from 6-9 and the show will run until August 9th.



The ARTfactory is right across from the Manassas Train Station and the free public parking garage at 9419 Battle Street, Manassas, VA. I'll have 2 pieces in this Nostalgia show...

"I Dream of Ice Cream When I Hear the Music" by Donna Liguria is a nod to growing up in an area where ice cream can be delivered almost at your front door. As a kid, I remember that music with the promise of a sweet frozen treat (if parent permission was granted)! The painting is 11x14x1.5 acrylic on stretched canvas.

"East Coast Sunrise" by Donna Liguria remembers the first time going to the eastern shore to see the ocean and its intense impact when confronted with the ocean laid out in front of myself as a human. How small I am and how large, how mysterious, how dangerous, how beautiful it all is. The land is extraordinary in itself. All of that water that extends beyond the horizon and deeper than we can see, it is astounding. The painting is 20x20x1.5and is acrylic on stretched canvas.

Come on by and see us!

@2026 Donna Liguria. All rights reserved. Unauthorized use or reproduction is prohibited without permission

Like my content? Follow my Blog!


_________________________

Author: Donna Liguria  is the Blogmaster for Donna's Cave Paintings and an artist member of the Prince William Art Society (PWAS) in Woodbridge, VA. Donna specializes in acrylic paintings of landscapes, seascapes, historic locations, animals and many subjects. Visit her Website at DonnaLiguriaArt.com and her Donna's Esty site to shop her art.

 *I LOVE reading your comments on my posts! Just remember that the blog comments are monitored so they may not appear right away.


Tuesday, June 30, 2026

Post 451: Artist's Palette - the Right Place for Paint

Artist's Palette - the Right Place for Paint

By Donna Liguria

Where and on what do you mix your paint? The painter's palette of choice will depend on the medium that you use, be it oil, acrylic, or watercolor...and potentially how quickly you paint and where you are painting. Consider also how you want the palette to function. Do you want the palette to only hold the paint or do you want to have room to mix your colors too? And surely you would want the ease of clean up when you're finished painting. Let's take a look at what you can place your paint on.

The Palette for the Medium - Your Choice

The palette, the plate, the surface that you squeeze out the paint for the artwork you are going to use and to mix the paint.

There are questions to ask when selecting the palette to the medium. 

  • What type of medium you use?
  • How do you paint? Quickly, slowly?
  • Do you paint standing up, sitting down, or plein air?
  • Do you like to hold your paint palette or have it sitting on a table nearby?
  • How do you mix your paints to get your desired color?
  • Do you use a palette knife to mix your colors?
  • Do you paint on large canvas, medium, or small? Or murals!

Watercolor Paint - the beauty of watercolors is that even when the paint dries, the paints can be reactivated with more water. Non-porous palette surfaces are best that allow the paint to stay moist. Slanted wells or mixing trays work beautifully as well.

  • Styrofoam Plate Palette
  • Plastic Wells Palette
  • Porcelain/Ceramic Palette
  • Plastic Wells, Bowls Palette
  • Airtight Travel Palettes, especially for Gouache Paint
  • Cleanup palette with water and mild soap

Gouache Paint - will be similar to the watercolor palette except that gouache paint will need to be treated more like the acrylic paint with an airtight sealable container to prevent the paint from drying out when storing.

Inks - inks come in watercolor, acrylic, oil-based, alcohol, drawing, and calligraphy, printmaking inks. Your choice will be in dye-based or pigment-based inks. The tools of ink painting include brushes, dip pen, pepettes, brayers, blades, blocks, and gel plates. Ink painting surfaces will include paper, canvas, and panels. Inks generally dry fairly quickly so storing and using may vary different from other paint types.

Acrylic Paint - because acrylic paints dry so quickly, a palette that is a sealable container is best to keep paint usable for a longer period of time/between paint sessions.

  • Sta-Wet Palette 
  • Glass Palette
  • Plastic Palette
  • Disposable Paper Palette
  • Cleanup with paper towel if surface is still wet, as we are not to have acrylic paint go down the sink. Dried acrylic paint will peel off a plastic palette (to a degree), easier than on a glass palette. Glass can be scrapped for cleanup.

Oil Paint - when your medium is oil paints, you'll still need to protect your palette when it is not in use, even though the paint does not typically dry. Oil does come in water-based mixtures. 

  • Glass Palette
  • Airtight Palette Container
  • Wood - Hand-Held Wood Artist Palette
  • Plastic Palette
  • Disposable Paper Palette 
  • Cleanup oil paint with a palette knife, a cloth, and then with linseed oil or a solvent.

The beginner artist may want to begin with simple, less expensive and disposable palettes so that their focus might stay on the paint skill development. 

Do you paint in multiple mediums? Looks like you will be working with several different palettes to prevent cross contamination. This will also be important for your brushes and other art equipment too. Have separate tools for each medium.

Remember, the cheapest artist tool is not necessarily cheapest in the long run. When replacement frequency and maintenance of the tool clash with the start up budget, costs go up. So shop around, ask artist friends, go to the art store - as always - do the research first.

Plastic and Plexiglass Palettes

Lightweight synthetic, affordable options of plastic palettes are nice to use for watercolor and acrylic artists because the paint does not soak into the surface. 

Styrofoam plates, extremely well cleaned food containers can fall into the plastic palette category as the least expensive palettes, yet the ease of cleanup is a consideration. If you were teaching a class, your students could use plates for quick cleanup, as water availability for cleanup might be restrictive.

Photo by pure julia on Unsplash

Less expensive: Plastic wells, sealable/tightfitting plastic containers, "paper" and Styrofoam plates, clipped on waxed paper on a clipboard.

Pros:  A good portable option, inexpensive and lightweight. Plexiglass is more durable than actual glass.

Cons: May stain over time as well as warp, if it is cheap plastic, and it could crack eventually. One of the locking mechanisms broke on my last plastic palettes. Bummer.

Disposable Wax-Coated Paper Palettes

Wax-coated paper pads offer a quick palette option for plein air artists and in studio artists alike. Simply use the paper and throw it away when done. 

Less expensive: A roll of parchment paper or waxed paper will work fine, just address the "curliness" with tape or something heavy.

Pros:  What is there to cleanup? Toss it! Great for travel and it is lightweight and very convenient for portability.

Cons: Susceptible to a breeze/windy days, wasteful, mixing surface can shift. You may see your palette used as nesting materials at some point.

Glass, Ceramic, and Porcelain Palettes

The glass palette is a great choice for oil or acrylic paint because of its reusable, non-porous surface and ease of clean up. The smooth surface makes the mixing of paint with palette knives or brush effortless. Consider tempered glass and periodically use a razor for deep cleaning. 

Check your local hardware store or a framing store, for appropriate glass sheets that will probably be more cost effective than your local art store priced palettes.

Less expensive: Consider older glass or ceramic dishes, a dinner plate, or bowls. Check out your local thrift stores or yard sales for a smooth, flat, non-raised design to suit your purposes.

Pros:  Non-absorbent, reusable, easy to clean, ideal for mixing colors for its smooth surface.

Cons: Fragile surface, may need to use a background gray or neutral color to accurately mix colors. Of have a gray-scale nearby.

The ceramic and porcelain palettes are non-porous containers that are smooth and will retain moisture for the watercolor paint.

Pros:  Non-porous, very easy cleanup, very nice for mixing paint. A heavier palette that may hold up better under breezy conditions.

Cons: Fragile container that can break or crack, and can be more expensive.

Stay-Wet Palette Systems

The absolute best palette for acrylics, these palettes (often) use a damp sponge and a paper film *waxy) to keep the paint from drying out, as well as a tightly fitted lid to cover the paints while not in use, sometimes for a week or more.

There are some palettes that have multiple wells and mixing areas and locking lids but no sponges. These palettes will need to be sprayed with water to help prolong the acrylic paint's life. Understand your needs before purchasing multi-layer, multi-well, complex systems. The KISS (Keep It Simple Silly) palette may work just fine for most people.

Pros:  Extends the acrylic paint's life by keeping it moist. When the paint dries and is thick enough, the paint can be peeled off.

Cons: The paint, the paper, and the sponge can get moldy if not cared for properly, and the lock-down mechanisms may break over time.

This is the current one I'm using

Masterson Sta-Wet Handy Palette Bundled Set I got on Amazon. He's only 8.5x7 but he does the job and holds the paint for a LONG time. 

I've also seen on Instagram, various artists create their own stay-wet palettes. Here's a great one from Vivien Hollingsworth / studio.hollingsworth with very tight sealing flat plastic storage containers and condiment containers that she DIY'd. She still adds a wet tissue paper under the condiment containers, but its a terrific idea.

Metal/Airtight Palettes

Metal palettes come in well trays and boxes, are durable and are very good with watercolors and for travel.

Wooden Palettes

Now that's a classic palette for oil painters. Traditionally the wood is made from mahogany, walnut or maple and have that recognizable thumb hole to support the weight.

It may also be convenient to look for a container or Sta-Wet palette that is sealable and large/deep enough to place your entire wooden palette inside of for extended periods of time or traveling.

Pros: A durable, usually lightweight, traditional feel when painting. Scrape the paints with a palette knife for mixing and cleanup, good surface to blending with a brush.

Cons: Need to oil the surface to prevent absorption of the paint. Not ideal for water-based paints. There are prescribed step by step instructions for the maintenance of your wooden palette including removal of excess paint, wipe down the surface, solvent wiping on the surface, final wipe down, and conditioning.

Art to Go - Traveling Palettes

The traveling artist and the plein air artist will need a palette that will go in luggage, a backpack, or even a purse that is not only lightweight, but is durable, compact, won't leak, and has a cover.

There are small and there are tiny traveling palettes for your medium of choice. The smaller the pack, the more limiting on the paint colors, mixing area, and size of the painting of course.

Pochade boxes - a portable painting box for artists on the go. Perfect for plein air painters painting outdoors, the pochade box combines storage for their art materials, a surface for mixing paint, and storing the wet painting. They are suitable for various painting mediums - oil, watercolor, and pastel.


Your choice in selection depend upon where you paint, how you transport your supplies, the weight, the weather conditions, the ease of use / setup / cleanup, and price.

See The Essential Tools for a Plein Air Setup

What palette do you use and why do you like it?

Art Palette Tips

  • I saw an artist that used the disposable paper palettes where she mixed the colors for the artwork she had created. She let the paper dry out when the artwork was finished, then cut a square out of the paper and attached it to her Certificate of Authenticity. 
    • Another artist taped it to the back of the artwork.
    • Another artist created bookmarks or other ideas that matched the artwork.
  • Use masking tape on the edges of your glass palette to help protect you/the edges.
  • Have a microwave that doesn't work any longer? Use the tray (glass plate) and the rolly thing under as your palette.
  • Many of the palette options are interchangeable to a degree depending on how you paint. 
  • Organizing your paint colors in a logical order will help the artist in mixing cleaner and more intentional colors. 
    • When laying out the colors, depending on the subject to be painted, leave room for mixing. 
    • Put the blues and violets together, the greens together, the oranges, reds and browns to a side, and the yellows together. 
    • Put white and black to an alternate area. 
    • Or organize the colors from light to dark and always layout the same way so that color decisions become second nature. Many artists follow the color wheel sequence for blending.
  • Right-handed? The typical layout of color is clockwise.
  • Left-handed? The typical layout of color is counterclockwise.
  • Try a limited palette of only a few colors and/or a separation of warm and cool tones.
  • OIL: When done painting and there is leftover color, you can scrape the paint off the palette and put it in a sealable container and place it in the fridge or freezer for later use. Cool storage reduces drying times.
  • The distribution of the paint on a hand-held palette may effect the balance and weight while and how long you hold it.
  • Depending on how large you paint will speak to the size requirements of your palette. 
  • If you use Palette knives, some palette shapes and sizes work better with some surfaces better than others as well as room to mix, so select the right palette for your needs.
  • If your palette is heavily stained, consider using it for dedicated colors.
  • Visit an actual paint store to play with the various options before spending money on the wrong artist resource tool, or talk to your local artist community or group and ask questions. Artists with real-world experience with their products of choice may offer invaluable help in your decision making.
  • CLEANING: a clean palette means color purity, accurate color value mixing, tools protection and longevity, and workflow efficiency. Cleaning the surface is easier while paint is still wet.
    • Plastic - clean immediately and be gentle.
    • Glass - scrape with palette knife
    • Dried acrylic palette - soaking, then scraping but avoid scratching the surface

What palette do you use and why do you like it? Drop a comment below.

@2026 Donna Liguria. All rights reserved. Unauthorized use or reproduction is prohibited without permission


Like my content? Follow my Blog!_________________________

Author: Donna Liguria  is the Blogmaster for Donna's Cave Paintings and the PWAS Artistry Spin Blog and an artist member of the Prince William Art Society (PWAS) in Woodbridge, VA. Donna specializes in acrylic paintings of landscapes, seascapes, historic locations, animals and many subjects. Visit her Website at DonnaLiguriaArt.com and her Donna's Esty site to shop her art.

 *I LOVE reading your comments on my posts! Just remember that the blog comments are monitored so they may not appear right away.


Sunday, June 28, 2026

Post 450: MAG Art Show at the ARTfactory in Manassas, VA

MAG Art Show at the ARTfactory in Manassas, VA

The Manassas Art Guild (MAG) artists have a beautiful art show now up at the ARTfactory in Manassas, VA which will be up until about July 9ish, 2026. I know a lot of the artists now on display, and you'll enjoy their art, so stop in to see them! 

A Moment in Time

The ARTfactory is at 9419 Battle Street, Manassas, VA and the MAG group's show is called "A Moment in Time". I visited the show while I was in Manassas - I had just visited the Creative Brush Studio and Gallery's art show called "America the Beautiful" so a very short drive down a few blocks was next on my agenda to see this show.

I'm not currently a member of the MAG group, but I have been, and I've met many very, very talented artists with the group that I now call friends. There is a variety of art up to see in a variety of mediums.



An art class was ongoing given by another artist friend, John Hart. He is so talented and fun! An art class at an art gallery called the ARTfactory amongst the artworks by other artists showing their art, while other artists are making art and visitors are admiring art. Say that 2 times fast.

I saw art by Bettie Sperty, Larry Burch, Stephanie McGee, Laura Lavarnway, Nina Gribov, Maureen Guillot, Maria Briganti, Valerie Larson, Mike Flynn and other wonderful artists.












Go by the ARTfactory and see this show that is up for another week or so!

See the Creative Brush Show too!

@2026 Donna Liguria. All rights reserved. Unauthorized use or reproduction is prohibited without permission

Like my content? Follow my Blog in the top right navigation!


_________________________

Author: Donna Liguria  is the Blogmaster for Donna's Cave Paintings and an artist member of the Prince William Art Society (PWAS) in Woodbridge, VA. Donna specializes in acrylic paintings of landscapes, seascapes, historic locations, animals and many subjects. Visit her Website at DonnaLiguriaArt.com and her Donna's Esty site to shop her art.

 *I LOVE reading your comments on my posts! Just remember that the blog comments are monitored so they may not appear right away.